for
a number of years, i have been laying out a particular form of
solitaire called "calculation," at least three or four and
sometimes ten or more times a day, pretty much every day. i
completely wore out one deck of cards with this game, and i am
working on another.
as
with any solitaire, what you are doing is sorting a randomized deck,
subject to rules that limit your decisions in sorting in ways the
cards can defeat. in this case the limiting card is the
king.
you
are building sequences in four stacks, by ones, by twos, by threes,
and by fours. you are counting in mod 13, with turning points at the
queen, jack, and ten. so for example, after ten the twos would be
queen, ace, three, etc. and after jack the king, an end. the threes
after nine would be queen, two, five, etc., and the fours after eight
would be queen, three, seven, etc. each sequence ending in a king.
suits are disregarded.
and
over here, while you are waiting for the next card in one or another
of these sequences, you are storing cards in one of only four piles,
as you select. burying cards you think you can afford to bury,
leaving paths to get to them when you need them.
in
effect, you need to get at least one king to the bottom of one of
these storage stacks, or you lose.
you
put a seven and then a four onto a ten, you have an ending sequence
for the threes. you are offered an ace. do you put it on the ten
seven four, or just start the ones and maybe offload the four to
start the fours, or do you start a new storage stack. and then you
are offered a jack.
and
so on, through fifty-two cards. the kings are trying to lock you
into commitments you cannot sustain. you are down to the last card,
and the king of clubs has caught the ten of hearts and the seven of
spades. and you think, why did i tell that lie, and should i try to
sustain it. or, what did she intend by saying that, and should i
pretend to accept it.
or
hey, something else involving something you care about and some
ambiguous narrative surrounding it. you tell me.
the
cards are speaking to you. listen.
and
then the next hand is completely random, you get a bunch of trash and
then the kings come pouring out. noise. but maybe the noise itself
is a message. back off, i will come to you.
five
clubs. bring it on. six spades, set it aside. five diamonds on the
six. let's get serious.
nine
diamonds, a root or a cover the five. take cover. two hearts, park
it on the five six. ten diamonds a root. ten swords, damnit.
and
the game goes downhill from there or you are somehow able to rescue
it through very careful play and a couple of lucky breaks on key
cards. you draw a second six early, forcing the choice on the
threes, and so on, through fifty-two cards. or until it miseraby
ends.
it
takes seven shuffles to randomize a deck of cards, the math papers
are published online. i usually do eight or nine, because it feels
that way to me. and eight has significance for me from tarot.
strength, or is it justice. and when justice is gone, there's always
force. laurie anderson.
sometimes
it is just static for even as many as two or three hands straight,
but not often. more frequently than i used to, as i learn more and
more nuance, i will get a beautiful game i had to fight hard, but the
last card allows me to take twenty or more out of storage before
hitting the last king.
you
learn to minimize your commitment to any particular course, but try
to leave several open. you seize some but by no means all
opportunities to unload your storage. but you might leave a seven or
a jack behind because you need to be able to duck an untimely two
down the road.
and
who was it released the last king but the ten and seven again. but
which king was it, and were they the same ones, the hearts ten and
the spade seven. oh, i didn't notice. the seven, yes, but i am not
sure about the ten. the king was i think a heart.
and
you start looking for these two cards in the next hand.
No comments:
Post a Comment